Olivier Messiaen’s Seven Modes of Limited Transposition

French composer Olivier Messiaen defined the "modes of limited transposition" in  his book "La technique de mon language musical" (The Technique of my Musical Language). 

What makes these scales special, is that they have a degree of symmetry, which causes the intervallic structure to be identical in two or more different keys. 

The Whole Tone Scale for example, essentially only has two different keys. A whole tone scale consists of six notes, and is completely identical in six different keys. 

There are only seven of these modes: 

Check out these wonderful videos of Nelson Veras at a clinic at the Conservatory of Amsterdam.

 

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Structure: W - W - W - W - W - W

Transpositions: 2

Intervals: 1 - 2 - 3 - #4 - #5 - b7

All Whole Tone Scales

Ab  |  A  |  Bb  |  B  |  C  |  Db  |  D  |  Eb  |  E  |  F  |  Gb  |  G

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Structure: H - W - H - W - H - W - H - W

Transpositions: 3

Intervals: 1 - b2 - b3 - 3 - #4 - 5 - 6 - b7

All Dominant Diminished Scales

C (Eb, Gb, A) | G (Bb, Db, E) |  D (F, Ab, B) 

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Structure: W - H - H - W - H - H - W - H - H

Transpositions: 4

Intervals: 1 - 2 - b3 - 3 - #4 - 5 - b6 - b7 - 7

All Tcherepnin Scales

C (E, Ab)  |  D (Gb, Bb) | G (B, Eb)  |  A (Db, F)

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Structure: H - H - m3 - H - H - H - m3 - H

Transpositions: 6

Intervals: 1 - b2 - 2 - 4 - #4 - 5 - b6 - 7

All M4 Scales

C (Gb)  |  G (Db) | D (Ab) | A (Eb) | E (Bb) | F (B)

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Structure: H - M3 - H - H - M3 - H

Transpositions: 6

Intervals: 1 - b2 - 4 - #4 - 5 - 7

All M5 Scales

C (Gb) | G (Db) | D (Ab) | A (Eb) | E (Bb) | F (B) 

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Structure: W - W - H - H - W W - H - H

Transpositions: 6

Intervals: 1 - 2 - 3 - 4 - #4 - #5 - b7 - 7

All M6 Scales

C | 

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Structure: H - H - H - W - H - H - H - W - H

Transpositions: 6

Intervals: 1 - b2 - 2 - b3 - 4 - #4 - 5 -b6 - 6 - 7

All M7 Scales

C | 

Nelson Veras Clinic - Messiaen Modes

Nelson on Messiaen mode 3

Nelson toying w/ Messiaen mode

Nelson looking for voicings

Nelson on practicing M4 and M6